Moving image has been displaced from the narrative chronology typical to filmic screen. We now live in a world of haiku mini shorts, dances of imagery and sound, journalism reports for subtitled train reading, what are the implications for the basic time signature of media ?
How are we are using moving image, sound, engineering, programming, code art, dance, performance and space to create a nu language which is entirely of our moment in search of a “spectra ui,” which, like technicolor did for celluloid, aims to find a distinct hyperrealism to our visual palette of communication technologies today.
::Algorithmic collective consciousness and Related Image Search
::Machine learning and the network
::Parameters of design instead of fixed design; Post script - variable width type
::Nu perspective and illusionism ; infinity perspective, xr
::File Formats as kinetic : GIF et.
::Nu Aesthetics, Post Internet, The phenomena of vaporwave
Code Art and Interet Muralism
IG and the rebirth of super flatism and constructivism
Pop-Up Theatrical Documetnary, Lyrical Journalism